FICT 112 W — Short Fiction Workshop: Write an Electrifying Short Story
Quarter: Summer
Instructor(s): Christine Sneed
Date(s): Jun 23—Aug 25
Class Recording Available: Yes
Class Meeting Day: Mondays
Class Meeting Time: 12:00—1:00 pm (PT)
Tuition: $1000
Refund Deadline: Jun 25
Unit(s): 2
Enrollment Limit: 18
Status: Open
Quarter: Summer
Day: Mondays
Duration: 10 weeks
Time: 12:00—1:00 pm (PT)
Date(s): Jun 23—Aug 25
Unit(s): 2
Tuition: $1000
Refund Deadline: Jun 25
Instructor(s): Christine Sneed
Enrollment Limit: 18
Recording Available: Yes
Status: Open
Whether you are drafting your first short story or are a more experienced writer aiming to refine your craft, this workshop will help you create a narrative that grips readers with its energy and momentum. Maybe you're interested in fictionalizing a real-life event, or perhaps you plan to write a story built entirely from your imagination—like that ghost story set in the Roaring Twenties you've had in mind for years. Whatever your approach, you'll be encouraged to follow your vagabond narrative impulses while receiving craft-related instruction to help shape that story into a polished piece.
Through craft lessons, workshop discussions, and targeted writing exercises, you'll develop a singular story rich with sensory detail and vivid scenes. We'll explore the tragicomic quirks of compelling characters, examining motivation and learning how to achieve emotional depth on the page. Each student will submit a draft (up to 4,000 words) to be workshopped by the class and instructor. We will also analyze short stories by authors such as Nicole Krauss, Karin Lin-Greenberg, Chinelo Okparanta, and Andrew Martin, studying how they structure their narratives and bring flawed yet unforgettable characters to life. We'll finish by delving into the revision process, learning how to redraft with an eye for precision and the telling detail.
Through craft lessons, workshop discussions, and targeted writing exercises, you'll develop a singular story rich with sensory detail and vivid scenes. We'll explore the tragicomic quirks of compelling characters, examining motivation and learning how to achieve emotional depth on the page. Each student will submit a draft (up to 4,000 words) to be workshopped by the class and instructor. We will also analyze short stories by authors such as Nicole Krauss, Karin Lin-Greenberg, Chinelo Okparanta, and Andrew Martin, studying how they structure their narratives and bring flawed yet unforgettable characters to life. We'll finish by delving into the revision process, learning how to redraft with an eye for precision and the telling detail.
CHRISTINE SNEED
Author
Christine Sneed is the author of three novels and three story collections, most recently Please Be Advised: A Novel in Memos, Direct Sunlight: Stories, and The Virginity of Famous Men. She is also the editor of the short-fiction anthology Love in the Time of Time’s Up. She has received the Chicago Public Library Foundation's 21st Century Award and the Chicago Writers Association Book of the Year Award. Her stories and essays have appeared in The Best American Short Stories, The O. Henry Prize Stories, The New York Times, Chicago Tribune, Ploughshares, and elsewhere. Textbooks for this course:
There are no required textbooks; however, some fee-based online readings may be assigned.